That punctilio didn't prevent Owen from remaining with her after they had left the shop, from hoping she had a lot more to do, and from pressing her to look with him, for a possible glimpse of something she might really let him give her, into the windows of other establishments. There was a moment when, under this pressure, she made up her mind that his tribute would be, if analyzed, a tribute to her insignificance. But all the same he wanted her to come somewhere and have luncheon with him: what was that a tribute to? She must have counted very little if she didn't count too much for a romp in a restaurant. She had to get home with her trimming, and the most, in his company, she was amenable to was a retracing of her steps to the Marble Arch and then, after a discussion when they had reached it, a walk with him across the Park. She knew Mona would have considered that she ought to take the omnibus again; but she had now to think for Owen as well as for herself—she couldn't think for Mona. Even in the Park the autumn air was thick, and as they moved westward over the grass, which was what Owen preferred, the cool grayness made their words soft, made them at last rare and everything else dim. He wanted to stay with her—he wanted not to leave her: he had dropped into complete silence, but that was what his silence said. What was it he had postponed? What was it he wanted still to postpone? She grew a little scared as they strolled together and she thought. It was too confused to be believed, but it was as if somehow he felt differently. Fleda Vetch didn't suspect him at first of feeling differently to her, but only of feeling differently to Mona; yet she was not unconscious that this latter difference would have had something to do with his being on the grass beside her. She had read in novels about gentlemen who on the eve of marriage, winding up the past, had surrendered themselves for the occasion to the influence of a former tie; and there was something in Owen's behavior now, something in his very face, that suggested a resemblance to one of those gentlemen. But whom and what, in that case, would Fleda herself resemble? She wasn't a former tie, she wasn't any tie at all; she was only a deep little person for whom happiness was a kind of pearl-diving plunge. It was down at the very bottom of all that had lately happened; for all that had lately happened was that Owen Gereth had come and gone at Poynton. That was the small sum of her experience, and what it had made for her was her own affair, quite consistent with her not having dreamed it had made a tie—at least what she called one—for Owen. The old one, at any rate, was Mona—Mona whom he had known so very much longer. Fleda stopped in front of her hostess. "I gave him my opinion that you're very logical, very obstinate, and very proud."!

"I'll give up the house if they'll let me take what I require!" That, on the morrow, was what Mrs. Gereth's stifled night had qualified her to say, with a tragic face, at breakfast. Fleda reflected that what she "required" was simply every object that surrounded them. The poor woman would have admitted this truth and accepted the conclusion to be drawn from it, the reduction to the absurd of her attitude, the exaltation of her revolt. The girl's dread of a scandal, of spectators and critics, diminished the more she saw how little vulgar avidity had to do with this rigor. It was not the crude love of possession; it was the need to be faithful to a trust and loyal to an idea. The idea was surely noble: it was that of the beauty Mrs. Gereth had so patiently and consummately wrought. Pale but radiant, with her back to the wall, she rose there like a heroine guarding a treasure. To give up the ship was to flinch from her duty; there was something in her eyes that declared she would die at her post. If their difference should become public the shame would be all for the others. If Waterbath thought it could afford to expose itself, then Waterbath was welcome to the folly. Her fanaticism gave her a new distinction, and Fleda perceived almost with awe that she had never carried herself so well. She trod the place like a reigning queen or a proud usurper; full as it was of splendid pieces, it could show in these days no ornament so effective as its menaced mistress. "Naturally I want my own house, you know," he said, "and my father made every arrangement for me to have it. But she may make it devilish awkward. What in the world's a fellow to do?" This it was that Owen wanted to know, and there could be no better proof of his friendliness than his air of depending on Fleda Vetch to tell him. She questioned him, they spent an hour together, and, as he gave her the scale of the concussion from which he had rebounded, she found herself saddened and frightened by the material he seemed to offer her to deal with. It was devilish awkward, and it was so in part because Owen had no imagination. It had lodged itself in that empty chamber that his mother hated the surrender because she hated Mona. He didn't of course understand why she hated Mona, but this belonged to an order of mysteries that never troubled him: there were lots of things, especially in people's minds, that a fellow didn't understand. Poor Owen went through life with a frank dread of people's minds: there were explanations he would have been almost as shy of receiving as of giving. There was therefore nothing that accounted for anything, though in its way it was vivid enough, in his picture to Fleda of his mother's virtual refusal to move. That was simply what it was; for didn't she refuse to move when she as good as declared that she would move only with the furniture? It was the furniture she wouldn't give up; and what was the good of Poynton without the furniture? Besides, the furniture happened to be his, just as everything else happened to be. The furniture—the word, on his lips, had somehow, for Fleda, the sound of washing-stands and copious bedding, and she could well imagine the note it might have struck for Mrs. Gereth. The girl, in this interview with him, spoke of the contents of the house only as "the works of art." It didn't, however, in the least matter to Owen what they were called; what did matter, she easily guessed, was that it had been laid upon him by Mona, been made in effect a condition of her consent, that he should hold his mother to the strictest accountability for them. Mona had already entered upon the enjoyment of her rights. She had made him feel that Mrs. Gereth had been liberally provided for, and had asked him cogently what room there would be at Ricks for the innumerable treasures of the big house. Ricks, the sweet little place offered to the mistress of Poynton as the refuge of her declining years, had been left to the late Mr. Gereth, a considerable time before his death, by an old maternal aunt, a good lady who had spent most of her life there. The house had in recent times been let, but it was amply furnished, it contained all the defunct aunt's possessions. Owen had lately inspected it, and he communicated to Fleda that he had quietly taken Mona to see it. It wasn't a place like Poynton—what dower-house ever was?—but it was an awfully jolly little place, and Mona had taken a tremendous fancy to it. If there were a few things at Poynton that were Mrs. Gereth's peculiar property, of course she must take them away with her; but one of the matters that became clear to Fleda was that this transfer would be immediately subject to Miss Brigstock's approval. The special business that she herself now became aware of being charged with was that of seeing Mrs. Gereth safely and singly off the premises.

There was a question that this imposed, but Fleda at first found no voice to utter it: it was the thing that, between them, since her arrival, had been so consciously and vividly unsaid. Finally she was able to breathe: "And if she is there—if she's there already?" "What you always do—to see what he wants." Mrs. Gereth dismissed the maid. "Tell him Miss Vetch will come." Fleda saw that nothing was in the mother's imagination at this moment but the desire not to meet her son. She had completely broken with him, and there was little in what had just happened to repair the rupture. It would now take more to do so than his presenting himself uninvited at her door. "He's right in asking for you—he's aware that you're still our communicator; nothing has occurred to alter that. To what he wishes to transmit through you I'm ready, as I've been ready before, to listen. As far as I'm concerned, if I couldn't meet him a month ago, how am I to meet him to-day? If he has come to say, 'My dear mother, you're here, in the hovel into which I've flung you, with consolations that give me pleasure,' I'll listen to him; but on no other footing. That's what you're to ascertain, please. You'll oblige me as you've obliged me before. There!" Mrs. Gereth turned her back and, with a fine imitation of superiority, began to redress the miseries immediately before her. Fleda meanwhile hesitated, lingered for some minutes where she had been left, feeling secretly that her fate still had her in hand. It had put her face to face with Owen Gereth, and it evidently meant to keep her so. She was reminded afresh of two things: one of which was that, though she judged her friend's rigor, she had never really had the story of the scene enacted in the great awestricken house between the mother and the son weeks before—the day the former took to her bed in her over-throw; the other was, that at Ricks as at Poynton, it was before all things her place to accept thankfully a usefulness not, she must remember, universally acknowledged. What determined her at the last, while Mrs. Gereth disappeared in the shrubbery, was that, though she was at a distance from the house and the drawing-room was turned the other way, she could absolutely see the young man alone there with the sources of his pain. She saw his simple stare at his tapestries, heard his heavy tread on his carpets and the hard breath of his sense of unfairness. At this she went to him fast. Owen hesitated, but at last he brought it out. "What I mean to say is, don't you know, that Mona, if you don't mind my saying so, has taken it into her head to be jealous."